{"id":479,"date":"2021-05-27T22:32:19","date_gmt":"2021-05-28T02:32:19","guid":{"rendered":"https:\/\/totallyfilmi.toutes-directions.com\/totallyfilmi-wp\/?p=479"},"modified":"2021-05-27T22:32:20","modified_gmt":"2021-05-28T02:32:20","slug":"delhi-safari-dir-nikhil-advani-2012","status":"publish","type":"post","link":"https:\/\/totallyfilmi.toutes-directions.com\/totallyfilmi-wp\/2021\/05\/27\/delhi-safari-dir-nikhil-advani-2012\/","title":{"rendered":"Delhi Safari (dir. Nikhil Advani, 2012)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em><span class=\"has-inline-color has-cyan-bluish-gray-color\">This post first appeared on Totally Filmi on December 6, 2012.<\/span><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In director Nikhil Advani\u2019s latest film,&nbsp;<strong>Delhi Safari (<\/strong>his foray into animation), a group of wild animals find themselves under threat from a housing development that begins destroying their jungle habitat.&nbsp; When the leopard Sultan is shot trying to protect his cub, Yuvi, the animals decide to leave and find a new place to live.&nbsp; But Yuvi has other plans.&nbsp; He convinces Bagga (a bear) and Bajrangi (a monkey) to help him kidnap Alex, a parakeet living in comfort in the home of his owner (a Bollywood director).&nbsp; Alex, it seems, is the one animal who has the ability to communicate with humans.&nbsp; Together with Yuvi\u2019s mother, Begum, they set out to convince the Indian government in Delhi to help them.&nbsp; Along the way, they meet with adventure and adversity, before finally arriving to make their case.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><a href=\"https:\/\/wabisabi.typepad.com\/.a\/6a00d8341ce06c53ef017ee5fab734970d-pi\"><img decoding=\"async\" src=\"https:\/\/wabisabi.typepad.com\/.a\/6a00d8341ce06c53ef017ee5fab734970d-800wi\" alt=\"DS002\" title=\"DS002\"\/><\/a><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><br>It\u2019s not hard to understand why the Hindi language version of&nbsp;<strong>Delhi Safari<\/strong>&nbsp;was reasonably well-reviewed by many in the Indian press \u2013 the film\u2019s animation shows the great progress happening in the Indian industry, and the performances of the film\u2019s star cast (including Govinda, Boman Irani, Akshaye Khanna, Urmila Matondkar, Prem Chopra, and Suniel Shetty) leant the film weight and charm.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Delhi Safari was, however, declared an unmitigated disaster by Box Office India.&nbsp; For whatever reason, the film didn\u2019t connect with the ticket-buying audience.&nbsp; Described as India\u2019s first 3D animation (I\u2019ve only seen 2D versions), the film was completed at least a year ago, and didn\u2019t benefit from improvements in technology that have happened in the meantime.&nbsp; The world has grown very small, and audiences almost everywhere have access to the best and the latest, and&nbsp;<strong>Delhi Safari<\/strong>&nbsp;would need more than just its animation to draw in the crowds.&nbsp; Certainly, that cast is a plus \u2013 but the story, with its strong ecological message about what happens when humans do not live in harmony and balance with nature, and it\u2019s decidedly abrupt ending\u2013 is one that\u2019s been done before.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Nikhil Advani hasn\u2019t had a hit film since his debut outing,&nbsp;<strong>Kal Ho Naa Ho<\/strong>, but I\u2019ve quite liked a couple of his films &#8211;particularly&nbsp;<strong>Salaam-e-Ishq<\/strong>, and, surprisingly,&nbsp;<strong>Patiala House<\/strong>.&nbsp; And this is where I confess:&nbsp; I actually love the Hindi version of&nbsp;<strong>Delhi Safari<\/strong>.&nbsp; For me, the trio of Govinda as Bajrangi, Boman Irani as Bagga, and Akshaye Khanna as Alex, worked brilliantly.&nbsp; More than that, I adored all the little Bollywood references \u2013 since Alex the parrot lives with a Bollywood director, it\u2019s no surprise that when we are first introduced to him, we see him singing and dancing in front of the television as Kishore Kumar sings&nbsp; &#8220;Main Tera Tota&#8221; (&#8220;Here I Am&#8221;) from the film&nbsp;<strong>Paap Ki Duniya<\/strong>.&nbsp; When Alex finally gets to make his speech to the media, he starts with a song.&nbsp; In the Hindi version, he riffs on &#8220;Kajra Re&#8221; from&nbsp;<strong>Bunty Aur Babli<\/strong>&nbsp;(you can still hear remnants of that in the English language version\u2019s background score), and then follows it up with an Ajay Devgan-style&nbsp;<strong>Halla Bol<\/strong>&nbsp;(Raise Your Voice) speech.&nbsp; These nods to Bollywood are a delightful surprise for fans, and ensure that the film, as good animation should, works on levels that appeal to both children and their parents.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>All of this, though, makes it very difficult for me to look objectively at the English language version of the film that releases in the United States on December 7th, with voices provided by Tom Kenny, Jason Alexander, Cary Elwes, Christopher Lloyd, Jane Lynch, Vanessa Williams and Brad Garrett.&nbsp; The problems that existed for the Hindi language version remain \u2013 the animation that is solid, but slightly dated by North American standards, the message that has been heard in other films, the echoes of films like&nbsp;<strong>The Lion King<\/strong>&nbsp;and&nbsp;<strong>The Jungle Book<\/strong>&nbsp;(the Bear in the English language version sounds too close to that of Balloo for my taste).&nbsp; All this adds up to a film that feels a little bit of \u201cbeen there, done that\u201d for an audience.&nbsp; The English language lyrics to the songs don\u2019t seem to resonate as much as the Hindi versions (though one of the songs, \u201cJungle Mein Mangal\u201d is retained in its original form in the credits of the English language release), but their music, composed by the veteran team of Shankar-Ehsaan-Loy, reflects their ability to successfully fuse western stylings with Indian sound and sensibility to create something fresh and listenable.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>That said, however, the messages found in&nbsp;<strong>Delhi Safari<\/strong>&nbsp;(the importance of friendship, looking after others, the need to find your courage and make a stand, the need to solve problems through discussion instead of violence, and the need for humanity and nature to live in harmony) are never presented in a way that is preachy or pedantic.&nbsp; The film manages to hit most of the right emotional notes, by turns funny, charming, mildly frightening and often heartwarming, and Mr. Totally Filmi and I found ourselves chuckling and awww-ing in all the right places.&nbsp;&nbsp;<strong>Delhi Safari<\/strong>&nbsp;could offer a little welcome warmth as we head into the holiday season, and could very well appeal to families already interested in ecology, and open to exploring the film\u2019s Indian setting.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This post first appeared on Totally Filmi on December 6, 2012. In director Nikhil Advani\u2019s latest film,&nbsp;Delhi Safari (his foray into animation), a group of wild animals find themselves under threat from a housing development that begins destroying their jungle habitat.&nbsp; When the leopard Sultan is shot trying to protect&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/totallyfilmi.toutes-directions.com\/totallyfilmi-wp\/2021\/05\/27\/delhi-safari-dir-nikhil-advani-2012\/\">Continue Reading<span class=\"screen-reader-text\">Delhi Safari (dir. Nikhil Advani, 2012)<\/span><\/a><\/div>\n","protected":false},"author":2,"featured_media":480,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[289],"tags":[554,210,560,556,558,552,562,564,555,553,561,557,563,559,565],"class_list":["post-479","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hindi-movies","tag-akshaye-khanna","tag-boman-irani","tag-brad-garrett","tag-cary-elwes","tag-christopher-lloyd","tag-delhi-safari","tag-govinda","tag-jane-lynch","tag-jason-alexander","tag-nikhil-advani","tag-prem-chopra","tag-suniel-shetty","tag-tom-kenny","tag-urmila-matondkar","tag-vanessa-williams","entry"],"_links":{"self":[{"href":"https:\/\/totallyfilmi.toutes-directions.com\/totallyfilmi-wp\/wp-json\/wp\/v2\/posts\/479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/totallyfilmi.toutes-directions.com\/totallyfilmi-wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/totallyfilmi.toutes-directions.com\/totallyfilmi-wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/totallyfilmi.toutes-directions.com\/totallyfilmi-wp\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/totallyfilmi.toutes-directions.com\/totallyfilmi-wp\/wp-json\/wp\/v2\/comments?post=479"}],"version-history":[{"count":1,"href":"https:\/\/totallyfilmi.toutes-directions.com\/totallyfilmi-wp\/wp-json\/wp\/v2\/posts\/479\/revisions"}],"predecessor-version":[{"id":481,"href":"https:\/\/totallyfilmi.toutes-directions.com\/totallyfilmi-wp\/wp-json\/wp\/v2\/posts\/479\/revisions\/481"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/totallyfilmi.toutes-directions.com\/totallyfilmi-wp\/wp-json\/wp\/v2\/media\/480"}],"wp:attachment":[{"href":"https:\/\/totallyfilmi.toutes-directions.com\/totallyfilmi-wp\/wp-json\/wp\/v2\/media?parent=479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/totallyfilmi.toutes-directions.com\/totallyfilmi-wp\/wp-json\/wp\/v2\/categories?post=479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/totallyfilmi.toutes-directions.com\/totallyfilmi-wp\/wp-json\/wp\/v2\/tags?post=479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}