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Category: Malayalam Movies

Note Book (dir. Rosshan Andrrews, 2006)

This post first appeared on Totally Filmi on March 29, 2019. Rosshan Andrrews’ debut film, Udayananu Tharam, was amongst the films I fell in love with when I first started expanding my Malayalam film viewing beyond purely arthouse types of movies.  A black comedy starring Mohanlal and Sreenivasan (who also wrote…

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Uyare (“Heights”/ dir. Manu Ashokan, 2019)

This post first appeared on Totally Filmi on May 14, 2019. Pallavi Raveendran (Parvathy) is a smart, vibrant young woman who, from a young age, wants to become a pilot.  Pallavi’s father, Raveendran (Siddique) is loving and supportive, taking on work so that he can pay for the things Pallavi…

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Kalippaattakkaaran (“Toymaker”/ dir. Sajas Rahman, Shinos Rahman, 2015)

This post first appeared on Totally Filmi on July 1, 2019. After the death of her mother, Anna leaves with her father for Madras, leaving behind Seba – before she leaves, she tells Seba he must continue to make toys for her in all colours. As an adult, Seba (Noel…

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Pappan Priyappetta Pappan (“Pappan, Dear Pappan”/dir. Sathyan Anthikad, 1986)

This post first appeared on Totally Filmi on July 31, 2019 Pappan (Rahman) seems to have it all:  his singing career is taking off, and he’s about to be married to Sarina (Lissy).  But Pappan’s career comes at a cost to Umesh (Jose), another singer whose popularity is waning as…

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The Films of Lijo Jose Pellissary: an Overview (Part One)

This post first appeared on Totally Filmi on September 4, 2019. Fans of director Lijo Jose Pellissery (LJP) were delighted to finally see one of his films turn up at the prestigious Toronto International Film Festival (TIFF) – and a recent article in the Toronto Star devoted to “buzz picks” for this…

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The Films of Lijo Jose Pellissery: An Overview (Part Two)

This post first appeared on Totally Filmi on September 7, 2019. The first part of this overview of Lijo Jose Pellissery (LJP)’s films focussed on the director’s earlier work — in this installment, I look at LJP’s three most recent films, starting with the very strange (and sometimes quite wonderful) Double…

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